The art for Claire's Quest will now be produced by the immensely talented and well-established Ganassa - you can google his handle for a sample of his work. We are finally going to get the ball rolling - on everything. Now, away with the bad news and in with the good! Probably swamped with his own work.Īs per the wishes of my patrons via the polls, I have decided to make the regrettable decision to stop waiting on JiangShi and find another artist to work with instead. New York University, Steinhardt School of Music, New York City, NY, U.S.A.Right, it's pretty much the end of November, and JiangShi hasn't responded to me at all. Harder, Better, Faster – Film music composition in the age of digital filmmaking Leeds University, School of Music, Music for Audio-Visual Media Conference In association with the Korean Cultural Centre, UK Masterclass with Korean film composer Cho Young Wuk Royal College of Music, Belle Shenkman Studio, London, UK In conversation with composer John Ottmann In conversation with Canadian songwriter Owen Pallett Writing Film Music – The Film Scoring Process Małopolski Ogród Sztuki (MOS), Kraków, PolandĬentre for Film and Television Music Research Production Music Libraries – Challenges and Opportunities for Media Composers In conversation with composer Joe Kraemer Hans Zimmer's and James Newton Howard's The Dark KnightĪn insight into the world of film music and the challenges faced by composers within the industry.Ī London Film Festival event, NFT3, BFI Southbankįorum VHS at the Rautenstrauch-Joest-Museum, Cologne, Germany Music for Audio-Visual Media II Conference Whose Line is it Anyway? – Copyright Clearance in Screen-Music Studies (round-table discussion) Star Wars - Wie klingt der Krieg der Sterne? In conversation with composer Gary Yershon In conversation with composer Reinhold Heil In collaboration with the London Philharmonic Orchestra Paul's Roof Pavilion, Royal Festival Hall, as part of the BFI Academy Panel discussion with music supervisor Wim Coryn, composer Jean-Paul Wall and composer John Lunn.Ī (Very Brief) Filmmakers' Guide to the Use of Music Music for TV productions: what about Publishing Rights? Music Department, Kingston University, Kingston upon ThamesĪuthor Rights in our open source society: a collective or individual matter? The Impact of Emerging Music Technology on Recent Film Music VH explores the process of film music composition and illustrates film composers’ creative strategies in finding inspiration and channelling their ideas to the desired effect.ġ) The Impact of Emerging Music Technology on Recent Film MusicĢ) The Impact of Emerging Film Technology on Filmmaking and Resulting Impact on Film Music Composition Session 2: Score Analysis and Analysis of Music as Part of the Soundscape Session 1: Historical and Textual Context, Technical and Creative Process of the Composers "Hans Zimmer's and James Newton Howards' The Dark Knight – A Film Score Guide" Session 2 Review of students' scores, feedback and discussion. Session 1 "The Impact of Emerging Music Technology on Recent Film Music" In conversation with Academy Award nominee HauschkaĬase Study: Hans Zimmer and James Newton Howard's The Dark KnightĢ-day Composition for Screen Lectures and Seminars In conversation with compsoer Bang Sun-seok Session 2 - Score Review (students to present) Session 1 - Tools and Techniques for Screen Composers In conversation with film composer Joseph Trapanese ( Oblivion) In conversation with composer Eloi Ragot and showrunner Stéphane Bergmans ( La Tréve) Summerschool für Frauen in der Film-, TV- und Medienmusik 2018 Screenmusic connect, Purcell Room, London, UK (host) Theaterzaal of Vooruit (Ghent, Belgium)Ĭreative Partnerships in Film, Television and Games In conversation with composer Robin Coudert ( Le bureau des légendes) In conversation with composer Antonio Gambale ( Unorthodox, Netflix) In conversation with composer Mychael Danna ( Life of Pi, The Good Dinosaur) In conversation with composer David Buckley ( The Good Wife, The Good Fight, The Sandman) Lecture: “Interactive Scoring? Contemporary Approaches to Music in Animation”
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